|Contemporary Productions 1945-1998 (Modern Performances: 1837-1998)|
|Written by Administrator|
|Monday, 28 March 2005 07:27|
Othello, 2000, Royal Shakespeare Company. Othello, Ray Fearson; Desdemona, Zoe Waites. Photographer, Donald Cooper Courtesy of Designing Shakespeare Collection of AHDS Performing Arts. See Gallery 6 for more images of British Shakespeare after WWII.
Addenbrooke, David. The Royal Shakespeare Company: The Peter Hall Years. London: William Kimber, 1974.
Brockbank, Philip, "Shakespeare Renaissance in China," Shakespeare Quarterly 39 (1988) 39.195-203.
Brook, Peter. The Empty Space. London: McGibbon and Kee, 1968. Harmondsworth: Penguin, 1972.
Brown, Ivor, Shakespeare Memorial Theatre 1948-1950, London: Coward-MacGann, 1950.
Brown, Ivor, Shakespeare Memorial Theatre 1951-1953, London: Coward-MacGann, 1953
Chambers, Colin, Inside the Royal Shakespeare Company: Creativity and the Institution, London: Routledge, 2004.
Conkie, Rob, The Globe Theatre Project: Shakespeare and Authenticity, Lewiston, NY: Edwin Mellen, 2006
Cooper, Roberta Krensky. The American Shakespeare Theatre: Stratford, 1955-1985. Washington, D.C.: Folger Shakespeare Library/Associated Univ. Presses,1986.
Coursen, Herbert. Reading Shakespeare on Stage. Newark: Univ. of Delaware Press, 1995.
Coursen, Herbert. Shakespearean Performance as Interpretation. Newark: Univ. of Delaware Press, 1992.
Croall Jonathan, Gielgud: A Theatrical Life 1904-2000, London: Methuen, 2000: New York: Continuum, 2001.
Day, Barry .This Wooden 'O', Shakespeare's Globe Reborn, the Official Story, with a Foreword by Sir John Gielgud . London: Oberon Books, 1996.
Dobson, Michael, Performing Shakespeare's Tragedies Today, Cambridge: Cambridge University Press, 2007.
Engle, Ron, Felicia Hardison Londre, and Daniel J. Watermeier eds. Shakespeare Companies and Festivals: An International Guide. Westport, Conn.: Greenwood Press, 1995.
Evans, Gareth Lloyd, "Shakespeare and the Actors: Notes Toeards Interpretations [Olivier, Gielgud, Scofield, Richardson]," Shakespeare Survey 21 (1968), 115-25 top
Fantasia. Louis, Instant Shakespeare: A Proven Technique for Actors, Directors and Teachers, Chicago: Ivan R. Dee, 2002.
Fayard, Nicole, The Performance of Shakespeare in France Since the Second World War, Lewiston, NY: Edwin Mellen, 2006.
Gielgud, John, with John Miller and John Powell, An Actor and His Time: A Memoir, Clarkson N. Potter, 1980
Gielgud, John, ed. Harwood Ronald, The Ages of Geilgud: An Actor at Eighty. New York:Limelight, 1984.
Gielgud, John, with John Miller, Shakespeare: Hit or Miss?, London: sidwick and Jackson, 1991.
Gielgud, John. Stage Directions . London: Heinemann Educational Books, 1979.
Goodland, Katharine, and O'Connor, John, A Directory of Shakespeare in Performance 1970-1990: Volume 2, USA and Canada, Basingstoke: Palgrave Macmillan, 2010.
Greenwald, Michael L. Directions by Indirections: John Barton of the Royal Shakespeare Company. Newark: Univ. of Delaware Press: 1985.
Gurr, Andrew and John Orrelll. Rebuilding Shakespeare's Globe. New York: Routledge, 1989.
Griffin, Alice, TheaterPro.com : A Magazine of the Theater Arts.See review section entitled Bard on the Boards : Shakespeare Currently in London, New York and Film. See also its Archive of Reviewed Plays for earlier reviews.
Harwood, Ronald, ed. The Ages of Gielgud: An Actor at Eighty, New York: Limelight Editions, 1984.
Hayman, Ronald, John Geilgud, New York: Random House, 1981.
He, Qi-xin, "China's Shakespeare," Shakespeare Quarterly 37(1986) 149-59.
Heijes, Coen, "'Strike up the Drum,' the Use of Music in the Boyd History Cycle," Shakespeare Bulletin 27.2 (Summer, 2009) 223-48.
Hildy, Franklin J., ed. New Issues in the reconstruction of Shakespeare's Theatre. New York: Peter Lang, 1990.
Kennedy, Dennis, & Yong Li Lan, Shakespeare in Asia: Contemporary Performance, Cambridge: Cambridge University Press, 2010.
Kidnie, M. J., Shakespeare and the Problem of Adaptation, New York and Milton Park, U.K.: Routledge, 2008.
Kiernan, Pauline, Staging Shakespeare at the New Globe, London: Macmillan, 1999.
Learning, Barbara. Orson Welles. New York: Viking, 1985.
Leiter, Samuel L., ed. Shakespeare Around the Globe: A Guide to Notable Postwar Revivals. New York: Greenwood, 1986.
Li Ruru, Shashibiya: Staging Shakespeare in China, Hong Kong: Hong Kong University Press, 2003.
Londré, Felicia H. "Confronting Shakespeare's 'Political Incorrectness' in Production: Contemporary American Audiences and the New 'Problem Plays'" in Marc Maufort, ed. Staging Difference: Cultural Pluralism in AmericanTheatre and Drama. New York: Peter Lang, 1995: 85-95.
Maher, Mary Z., Modern Hamlets, Iowa City: University of Iowa Press. 1992.
Marowitz, Charles. Recycling Shakespeare. New York: Applause, 1991.
Marowitz , Charles. The Marowitz Shakespeare :Adaptions and Collages of Hamlet, Macbeth, The Taming of the Shrew, Measure for Measure, and The Merchant of Venice. New York : Drama Book Specialists, 1978.
McKellan, Sir Ian, [Biography] at http://www.mckellen.com/stage/index7.htm
Miller, Jonathan. Subsequent Performances. London: Faber and Faber, 1986.
Price, Joseph G., ed. The Triple Bond: Plays, Mainly Sbakespearean, in Performance. University Park: Pennsylvania State Univ. Press, 1975.
O'Connor, Garry, Ralph Richardson; An Actor's Life, London: Hodder and Stoughton, 1982.
O'Connor, John, and Katharine Goodland, A Directory of Shakespeare in Performance, Volume 1, 1970-2005: Great Britain, Basingstoke: Palgrave Macmillan, 2007.
O'Connor, John, Shakespeare on Stage and Screen, 1970 to the 21st Century, Basingstoke: Palgrave Macmillan, 2007.
Phillips, Stephen J. "Telling the Story: Shakespeare's Histories in Performance: [An Interview with] Andrew Jarvis." New Theatre Quarterly 6 (1990): 207-14.
Potter, Lois, "A Stage Where Every Man Must Play a Part?" (Review of the 1998 Globe season in London), Shakespeare Quarterly, 50, Spring 1999, 74-81.
Prosser, William LLewellyn. American Directorial Approaches to
Redgrave, Michaerl, In My Mind's Eye: An Actor,s Autobiography, New York: Viking Press, 1983.
The Royal Shakespeare Theatre Company 1960-1963. London: Max Reinhardt, 1964.
Rutter, Carol, et al., Clamorous Voices: Shakespeare's Women Today. London: Women's Press, 1988. Repr. New York: Routledge, 1989
Shakespeare: an Illustrated Stage History. ed. by Jonathan Bate and Russell Jackson. Oxford; New York: Oxford University Press, 1996.
Rylance, Mark: Play: A Recollection in Pictures and Words of the First Five Years of Play at Shakespeares's Globe Theatre . Photogr.: Sheila Burnett, Donald Cooper, Richard Kolina, John Tramper. London: Shakespeare's Globe Publ., 2003
Shakespeare Around the Globe: a Guide to Notable Postwar Revivals.
Stanley, Audrey, "The 1994 Shanghai Internatonal Shakespeare Festival," Shakespeare Quarterly 47 (1996) 72-80.
The Stratford Festival, 1953-1957: a record in pictures and text of the Shakespearean Festival in Canada, Toronto: Clarke, Irwin, 1958.
Talkin' Broadway.com, 1997 - 2010 a project of www.TalkinBroadway.Org, Inc. (search for play title to get recent reviews) .
Tanitch, Robert, Gielgud, London: Harrap, 1988.
Taylor, Nancy, Women Direct Shakespeare in America : Productions from the 1990s, Madison : Fairleigh Dickinson University Press, 2005.
Thompson, Ayanna, Colorblind Shakespeare, New York and Milton Park, U.K.: Routledge, 2006.
Trewin, J. C., Peter Brook: A Biography, London: Macdonald, 1965.
Trivedi, Poonam, and Ryuta Minami, eds., Re-playing Shakespeare in Asia, New York: Routledge, 2009.
Webster, Margaret, Shakespeare Today, London: Dent, 1957.
Yachin, Paul, and Patricia Badir, eds., Shakespeare and the Cultures of Performance, Burlington, VT: Ashgate, 2008.
Yutkevitch, Sergei, Othello, (with Sergei Bondarchuk as Othello; 1955/108m) distributed by The Picture Palace, PO Box 281, Caldwell, NJ 07006.
Zhang, Xiao Yang, Shakespeare in China: A Comparative Study of Two Traditions and Cultures, Newark: University of Delaware Press, 1996.
Zeffirelli, Franco, The Autobiography of Franco Zeffirelli, New York: Weidefeld and Nicholson, 1986.
Zesmer, David M., Guide to Shakespeare, New York: Barnes and Noble, 1976.
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