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Alien, Shirley S. Samuel Phelps and the Sadler's Wells Theatre, Middletown, Conn.: Wesleyan Univ. Press, 1971.

Arundell, D. The Story of Sadler's Wells 1683-1964, London: Hamish Hamilton, 1965. top

B.

Beerbohm, Max, ed., Herbert Beerbohm Tree: Some Memories of Him and His Art, London: Hutchinson, 1920.

Booth, Edwina, Edwin Booth: Recollections by his Daughter, New York: Centory, 1894.

Michael R., Victorian Spectacular Theatre 1850-1910. Boston: Routledge & Kegan Paul, 1981.

Bratton, Jacky, New readings in Theatre History, Cambridge: V Cambridge University Press, 2003.

Brereton, Austin, The Life of Henry Irving, 2 Vols., New York: Longmans, Green, 1908. top

C.

Carlson, Marvin, Italian Shakespeareans: Performances by Ristori, Salvini, and Rossi in England and America, Washington: Folger Books, 1985.

Clapp, Henry A., Reminiscences of a Dramatic Critic, Boston & New York: Houghton Mifflin, 1902.

Cole, John William, The Life and Times of Charles Kean: Including a Summary of the English Stage for the Last Fifty Years, and a Detailed Account of the Management of the Princess Theatre, from 1850 to 1859, 2 Vols., London: Richard Bentley, 1859.

Cook, Dutton, "Ellen Terry," in Ward, A. C., ed. Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945, 154-8.

Cook, Dutton, "Irving in Shakespeare," in Ward, A. C., ed. Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945, 162-81..

Copeland, Charles T., Edwin Booth, Boston: Small, Green, 1901.

Craig, Edward. Gordon Craig. New York: Alfred A. Knopf, 1968.

Cushman, Charlotte, Her Letters and Memories of Her Life, ed. Emma Stebbins, Boston; Houghton Mifflin, 1878. top

D.

Dickins, Richard, Forty Years of shakespeare on the English stage, Edinburgh: 1907.

Downer, Alan S., The Eminent Tragedian, William Charles Macready, Cambridge, Mass.: Harvard University Press., 1966. top

E.   No content available at this time. top

Fitzgerald, Percy, Henry Irving,: A Record of Twenty Years at the Lyceum, London: Chapman and Hall, 1893.

Fletcher, K, and A. Rood, Edward Gordon Craig, a Bibliography, London: The Society for Theatre Research, 1967 .

Foulkes, Richard, ed. Shakespeare and the Victorian Stage. Cambridge: Cambridge Univ. Press, 1986.

Fox, W. J., A Biographical Sketch of William C. Macready, in Fraser's Magazine 25 (1842). top

G.

Goodale, Katherine, Behind the Scenes with Edwin Booth, Boston: Houghton Mifflin, 1931.

"Granville-Barker's Production of Twelfth Night," The Morning Post, 16 November 1912, in Ward, A. C., ed. Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945, 260-3. top

H.

Hazleton, N. J. D., Historical Consciousness in Nineteenth-Century Shakespearean Staging, Ann Arbor: UMI Research Press, 1987.

Hennessy, W. J. ,  Edwin Booth in Twelve Dramatic Characters. [portraits by W. J. Hennessy;engraving by W. J. Linton; biographical sketch by William Winter], Boston, James R. Osgood & Company, 1872.

Holroyd, Michael, A Strange Eventful History: The Dramatic Lives of Ellen Terry, Henry Irving, and Their remarkable Families, London, Chatto & Windus, 2008. 

Hughes, Alan. Henry Irving: Shakespearean. Cambridge: Cambridge Univ. Press, 1981. top

I.

Irving, L. H. F., Henry Irving: The Actor and His World, New York: Macmillan,1952.

Isles, George, ed. Autobiography[: Actors], Library of Little Masterpieces Vol. 36, New York: Doubleday for Review of Reviews, 1909. top\

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K.

Kellog, Abner O., The Hamlet of Edwin Booth: A Psychological Study, New York: D. Appleton, 1872.

Kemble, Fanny, Records of a Girlhood, 3 Vols., London: R, Bentley, and New York: H. Holt, 1879.

Knight, Charles, ed., Pictorial Shakespeare, London: National edition, 1851.

Knight, Josep, "Ellen Terry," in Ward, A. C., ed. Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945,159-61.

Koon, H. W. How Shakespeare Won the West: : Plays and Performances in America's Gold Rush, 1849-1865. Jefferson, N.C. : McFarland, 1989.

L.

Leach, Joseph, Bright Particular Star: : The Life and Times of Charlotte Cushman, New Haven: Yale University Press, 1970

Lewes.George, On Actors and the Art of Acting, [1875] New York: Greenwood, 1968. top

M.

MacMinn, George R., Theatre of the Golden Era in California. Caldwell, Idaho: Caxton, 1941.

Maeder, Clara Fisher; Douglas Taylor,  Autobiography of Clara Fisher Maeder, New York: The Dunlap Society, 1897.

Manvell, Roger, Ellen Terry, New York; Frederick A. Stokes, 1968.

Marshall, Gail, general editor, Lives of Shakespeare Actors, 3 vols.,  Volume III: Charles Kean, Samuel Phelps, and William Charles Macready, 2010.

Marshall, Gail, "Ellen Terry: Shakespeaean Actress and Critic," European Journal of Women's Studies, August 2004, vol. 11 no. 3 355-364.

Mazer, Gary M., Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages. Ann Arbor: UMI Research Press, 1980.

Montague, C. E., "F. R. Benson's Richard III," in Ward, A. C., ed. Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945, 222-30.

Morely, Henry, "Phelps at Sadler's Wells," in Ward, A. C., ed., Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945, 123-9.  top

N.

Nash, George. Edward Gordon Craig: 1872-1966. London: Her Majesty's Stationery Office, 1967.

Nelson, Richard, Two Shakespearean Actors [RSC play script on Macready & Forrest], London: Faber & Faber, 1990. top

O.
Ormond, Richard, ed., Daniel Maclise, 1806-1870, London: Arts Council of G.B., 1972.  top

P.

Pearson, H., The Last Actor Managers. London: Methuen, 1950.

Poel, William. Shakespeare in the Theatre. London: Sidgwick and Jackson, 1913.

Pollock, Sir Frederick, Macready's Reminiscences, New York: Macmillan, 1875.

Proctor, E. B., Sheridan to Robertson, A Study of the Nineteenth Century London Stage, Cambridge. Mass.: Harvard University Press, 192. top 

Q.   No content available at this time. top

R.

Resse, Terence, Theatre Lighting in the Age of Gas, London: Society for Theatre Research, 1978.

Ristori, Adelaide, ["Autobiography"] in Isles, George, ed. Autobiography[: Actors], Library of Little Masterpieces Vol. 36, New York: Doubleday for Review of Reviews,1909, 167-77. See also http://italophiles.com/ristori.htm

Ristori, Adelaide, Memoirs and Artistic Studies, trans. G. Mantellini, New York: Doubleday, 1907.

Rowell, George, Victorian Dramatic Criticism, London: Methuen, 1971.

Royle, Edwin Milton, Edwin Booth as I Knew Him, New York: The Pl;ayers, 1933.

Rusche, Harry, Shakespeare and the Players [pictures and data of Edwardian actors] at http://shakespeare.emory.edu/bibliography.cfm top

S.

Salvini, Tommaso, ["Autobiography"] in Isles, George, ed. Autobiography[: Actors], in Library of Little Masterpieces, Vol. 36, New York: Doubleday for Review of Reviews, 1909, 138-66. See also http://italophiles.com/ salvini.htm

Salvini, Tommaso, "Impressions of Shakespeare's Lear", The Century, 27.4 (Feb. 1884).

.

      Salvini as Othello

Salvini, Tommaso , "Impressions of Some Shakesperean Characters", The Century, 23,1 (Nov. 1881).

Scharf, George, Scenic Recollections of the Covent Garden Theatre During the Season of 1838-39, London: James Parrie, 1839.

Schoch, Richard W., Shakespeare's Victorian Stage: Performing History in the Theatre of Chales Kean, Cambridge: Cambridge University Press, 2006.

Shattuck, Charles H., The Hamlet of Edwin Booth, Urbana: University of Illinois Press, 1969. 

Shaw, Bernard, "Forbes Robertson's Hamlet,' in Ward, A. C., ed. Specimens of English Dramatic Criticism XVII-XX Centuries, London: Oxford University Press, 1945,208-17.

Shaw, Bernard. Shaw on Shakespeare, ed. Edwin Wilson. New York: E. P, Dutton, 1961.

Speaight, Robert. William Poel and the Elizabethan Revival. London: William Heinemann, 1954.

Sprague, Arthur Colby, and J. C. Trewin. Shakespeare's Plays Today: Some Custt Conventions of the Stage. Columbia: Univ. of South Carolina Press, 1970.

Stebbins, Emma, Charlotte Cushman, Her Letters and Memories of Her Life, New York: Benjamin Blom, 1878.

Stetz, Margaret D. (Margaret Diane), Gender and the London Theatre, 1880-1920, High Wycombe : Rivendale Press and Bryn Mawr College, 2004.

Styan John L. The Shakespeare Revolution: Criticism and Performance in the Twentieth Century, Cambridge: Cambridge Univ. Press, 1977. top

T.

Terry, Ellen, Collected Letters, ed. Katherine Cockin, 8 vols., London: Pickering & Chatto: 2010-.

Terry, Ellen, "Hamlet - Irving's Greatest Part", in Isles, George, ed. Autobiography[: Actors], in Library of Little Masterpieces, Vol. 36, New York: Doubleday for Review of Reviews, 1909, 106-118.

Terry, Ellen, The Story of My Life, London: Hutchinson, 1908.

Toynbee, J. C., ed., The Diaries of William James Macready, 2 vols. London: 1912.

Trewin, John Courtney, Benson and the Bensonians, London: Barrie Books, 1960.

Trewin, John Courtney, Going to Shakespeare, London: George Alien and Unwin, 1978.

Trewin, John Courtney, Mr. Macready: A Nineteenth Century Tragedian and his Theatre, London: George G, Harrap, 1955.
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U. No content available at this time.top

V. No content available at this time. top

W.

Wearing, J. P., The London Stage 1900-1909: A Calendar of Plays and Players, Metuchen N.J.: Scarecrow Press, 1981.

Winter, William, The Life and Art of Edwin Booth, New York: Macmillon, 1893.

Winter, William, Shakespeare on the Stage, New York: Moffatt, Yard, 1912.

Woods, Leigh, On Playing Shakespeare, Westport CT: Greenwood, 1991. top

X.  No content available at this time.  top

Y.  No content available at this time. top

Z.
Zesmer, David M.,  Guide to Shakespeare, New York: Barnes and Noble, 1976.

The Taming of the Shrew: Ada Rehan (1859-1916) as Katherina at the Gaiety Theatre 1888.  Rehan as Katherine does not look like a victim. Courtesy of the Hampden-Booth Library, New York.